Blue And Pink
Blue And Pink
Signed Print
Bridget Riley
28 x 118cm, Edition of 90, Screenprint, 2001
£14,500-£22,000
$27,000-$40,000 Market Value Indicator
$27,000-$40,000 Market Value Indicator
¥130,000-¥200,000 Market Value Indicator
€17,000-€26,000 Market Value Indicator
$150,000-$230,000 Market Value Indicator
¥3,010,000-¥4,560,000 Market Value Indicator
$20,000-$30,000 Market Value Indicator
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Meaning & Analysis
This signed screen print was released in 2001 in an edition of 90. Composed of two colours, blue and pink, as the title suggests, this print features a considerable reduction in the number of colours typical of a Bridget Riley screen print. The irregular serpentine, sweeping forms Blue And Pink is composed of were to occupy the painter’s pictorial interest for a decade. Since her first forays into pure geometric abstraction in the 1960s, Riley has worked in series, each one focusing for several years on a particular formal theme. In this series, the preoccupation lies in the use of repeated curved forms in limited colour combinations. Here, the structures’ curvilinear element evokes a sense of movement and rhythm. In Blue And Pink it is possible to follow a series of implicit diagonal lines, which move from the bottom left to top right of the picture surface, creating a sense of movement.
The colour palette of Blue And Pink is inspired by Henri Matisse’s Paris Dance Mural, 1931-33. In Matisse’s mural, grey figures dance before a background of blue and pink stripes, interspersed with areas of black. In Blue And Pink the coloured shapes themselves dance, their fluid dynamism accentuated by an irregular rhythm: the left hand side of the print is dominated by wide pink forms, whilst the right hand side narrower blue forms take precedence.
