Blue And Pink
Blue And Pink
Signed Print
Bridget Riley
£9,500-£14,000
$18,000-$27,000 Value Indicator
$17,000-$25,000 Value Indicator
¥90,000-¥130,000 Value Indicator
€11,500-€17,000 Value Indicator
$100,000-$140,000 Value Indicator
¥1,930,000-¥2,850,000 Value Indicator
$12,500-$18,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 90
Year: 2001
Size: H 28cm x W 118cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2022 | Sotheby's Online - United Kingdom | Blue And Pink - Signed Print | |||
| August 2021 | Ketterer Kunst Hamburg - Germany | Blue And Pink - Signed Print | |||
| January 2018 | Phillips London - United Kingdom | Blue And Pink - Signed Print | |||
| April 2013 | Lyon & Turnbull Edinburgh - United Kingdom | Blue And Pink - Signed Print | |||
| October 2009 | Christie's New York - United States | Blue And Pink - Signed Print | |||
| November 2006 | Swann Auction Galleries - United States | Blue And Pink - Signed Print |
Meaning & Analysis
This signed screen print was released in 2001 in an edition of 90. Composed of two colours, blue and pink, as the title suggests, this print features a considerable reduction in the number of colours typical of a Bridget Riley screen print. The irregular serpentine, sweeping forms Blue And Pink is composed of were to occupy the painter’s pictorial interest for a decade. Since her first forays into pure geometric abstraction in the 1960s, Riley has worked in series, each one focusing for several years on a particular formal theme. In this series, the preoccupation lies in the use of repeated curved forms in limited colour combinations. Here, the structures’ curvilinear element evokes a sense of movement and rhythm. In Blue And Pink it is possible to follow a series of implicit diagonal lines, which move from the bottom left to top right of the picture surface, creating a sense of movement.
The colour palette of Blue And Pink is inspired by Henri Matisse’s Paris Dance Mural, 1931-33. In Matisse’s mural, grey figures dance before a background of blue and pink stripes, interspersed with areas of black. In Blue And Pink the coloured shapes themselves dance, their fluid dynamism accentuated by an irregular rhythm: the left hand side of the print is dominated by wide pink forms, whilst the right hand side narrower blue forms take precedence.
