Frieze
Frieze
Signed Print
Bridget Riley
£7,000-£10,500Value
Indicator
$13,500-$20,000 Value Indicator
$12,000-$18,000 Value Indicator
¥60,000-¥90,000 Value Indicator
€8,000-€12,000 Value Indicator
$70,000-$100,000 Value Indicator
¥1,270,000-¥1,910,000 Value Indicator
$9,000-$13,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Format: Signed Print
Year: 2000
Size: H 48cm x W 72cm
Edition size: 200
Signed: Yes
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Track auction value trend
Bridget Riley's Frieze (signed), a screenprint from 2000, is estimated to be worth £7,000 to £10,000. This artwork has been sold at auction 8 times since its initial sale in 2003. Over the last five years, the hammer price has been consistent at £4,838, with the most recent sale occurring in March 2022. The artwork has shown a significant increase in value, with an average annual growth rate of 40%. The edition size of this artwork is limited to 200.
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2022 | Sotheby's Online - United Kingdom | Frieze - Signed Print | |||
| January 2017 | Phillips London - United Kingdom | Frieze - Signed Print | |||
| November 2016 | Rosebery's Fine Art Auctioneers - United Kingdom | Frieze - Signed Print | |||
| October 2016 | Christie's London - United Kingdom | Frieze - Signed Print | |||
| November 2015 | Bonhams New Bond Street - United Kingdom | Frieze - Signed Print | |||
| November 2007 | Christie's London - United Kingdom | Frieze - Signed Print | |||
| October 2006 | Bonhams New Bond Street - United Kingdom | Frieze - Signed Print |
Meaning & Analysis
Frieze is a 2000 screen print by British Op-Artist Bridget Riley, released in a signed edition of 200. Sharing its name with the architectural feature— a decorative band around the top of an interior wall—combines curved shapes in a palette of blue, green, yellow, and white.
In her series Lozenges, Riley utilises curved shapes to create a sense of energy and movement in her work, by building up complex layers of vertical and diagonal planes. Overall, Riley’s oeuvre is a complex, in-depth study of colour and form, and the effects produced when the two are interwoven: the joys and dynamism created by their co-mingling.
The intention underpinning Riley’s artistic career is her unwavering interest in the subject of visual perception. In other ways, Riley is keen to question the ways in which we think about or understanding something, using our sense of vision. The resulting visual complexity of Riley’s works is achieved through many hours of planning and studio research.
