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Untitled (Evoe) Signed Print
Bridget Riley: Untitled (Evoe) - Signed Print

Untitled (Evoe)

Bridget Riley

Untitled (Evoe) - Signed Print by Bridget Riley 2003 - MyArtBroker

Untitled (Evoe)
Signed Print

Bridget Riley

£7,500-£11,500 VALUE (EST.)

$14,500-$22,000 VALUE (EST.)

$13,000-$20,000 VALUE (EST.)

¥70,000-¥110,000 VALUE (EST.)

€8,500-€13,500 VALUE (EST.)

$70,000-$110,000 VALUE (EST.)

¥1,380,000-¥2,120,000 VALUE (EST.)

$9,500-$14,500 VALUE (EST.)

24% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 2003
Signed Print Edition of 75
H 28cm x W 84cm

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1 in network
7 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
March 2023Christie's Amsterdam - NetherlandsUntitled (Evoe) - Signed Print
May 2021Christie's Paris - FranceUntitled (Evoe) - Signed Print
April 2013Lyon & Turnbull Edinburgh - United KingdomUntitled (Evoe) - Signed Print
December 2009Koller Zurich - SwitzerlandUntitled (Evoe) - Signed Print
October 2009Christie's New York - United StatesUntitled (Evoe) - Signed Print
October 2005Christie's London - United KingdomUntitled (Evoe) - Signed Print

Meaning & Analysis

Untitled (Evoe), executed in 2003 in an edition of 75, is composed of Bridget Riley’s unique, serpentine forms, unrelated to any other conventional, geometric form, that evolved following the great success of the artist’s Stripes series. Like numerous other prints in this series, Untitled (Evoe) is composed of four colours, which work together to create a figure and ground construction.

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Like the other works in this series, Untitled (Evoe) is structured on a diagonal grid. This underlying structure gives the composition a forward movement that is tempered by the soft lines of the curved forms. The basic building blocks for these curvilinear works are serpentine segments in solid blocks of colour, which are of varying size. The complex structure of the print makes it seem as if each colour in turn alternately becomes the figure and ground.

The suggested title of the artwork, Evoe, was a cry associated with the intoxicated rites of the Greek god of wine and fertility, Bacchus.

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Read more about Bridget Riley Prints & Editions

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