Name: Like A Snowball Down A Mountain
Brand: Damien Hirst
Rating: 4.9 (189 reviews)

Like A Snowball Down A Mountain
Signed Print

Damien Hirst

£2,750-£4,150 VALUE (EST.)

$5,000-$8,000 VALUE (EST.)

$4,600-$7,000 VALUE (EST.)

¥24,000-¥35,000 VALUE (EST.)

€3,200-€4,800 VALUE (EST.)

$27,000-$40,000 VALUE (EST.)

¥480,000-¥720,000 VALUE (EST.)

$3,400-$5,000 VALUE (EST.)

54% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

Auction Date

Auction House

Artwork

Hammer Price

Return to Seller

Buyer Paid

August 2020

Forum Auctions London - United Kingdom

Like A Snowball Down A Mountain - Signed Print

Meaning & Analysis

Like A Snowball Down A Mountain is an etching from Damien Hirst’s first volume of his In A Spin, The Action Of The World Upon Things from 2002. This etching is colourful and energetic, depicting concentric circles made up of thin, scratchy lines. The composition is dynamic in its simplistic use of line that conveys speed and movement.

read more about In A Spin

All of the etchings in the In A Spin, The Action Of The World Upon Things portfolio are variations on Hirst’s famous spin paintings. For these etchings Hirst attached copper plates to a spin machine in his studio, onto which he drew the wiry lines with sharp tools. Hirst’s spin paintings were partly inspired by a long exposure photograph where he captured the movement of the stars in the sky caused by the rotation of the earth. This activity inspired the expression articulated in the title, ‘The Action Of The World On Things’.

The second half of the series’ title, ‘The Action Of The World On Things’ derives from a phrase the artist coined in 1999 when he was clarifying the origins of his spot paintings. He distinguished two aspects of his work: “an involvement with death and decay, and ideas and life: the action of the world on things exists somewhere, and the colour exists somewhere else. And it’s fantastic.” In A Spin, The Action Of The World Upon Things is said to unite these two elements of Hirst’s work.