On It May Stay His Eye
On It May Stay His Eye
Signed Print
David Hockney
£2,550-£3,800
$5,000-$8,000 Value Indicator
$4,750-$7,000 Value Indicator
¥24,000-¥35,000 Value Indicator
€3,050-€4,500 Value Indicator
$26,000-$40,000 Value Indicator
¥500,000-¥750,000 Value Indicator
$3,400-$5,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 200
Year: 1977
Size: H 53cm x W 46cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| February 2025 | Rago | United States | |||
| October 2024 | Rago | United States | |||
| November 2023 | Rosebery's Fine Art Auctioneers | United Kingdom | |||
| September 2022 | Shapiro Auctioneers | Australia | |||
| July 2021 | Doyle Auctioneers & Appraisers | United States | |||
| November 2019 | Swann Galleries | United States | |||
| February 2018 | Forum Auctions London | United Kingdom |
Meaning & Analysis
On It May Stay His Eye is an etching with aquatint by David Hockney, created between 1976 and 1977. This piece is part of The Blue Guitar series, inspired by Wallace Stevens' poem The Man with the Blue Guitar. The work presents a fragmented scene featuring a guitar, vase, and rug. As one of twenty etchings in the series, it exemplifies Hockney's exploration of visual perception and artistic interpretation during this period.
Hockney's On It May Stay His Eye showcases his skilled use of etching and aquatint techniques. The composition presents a visually complex scene: a shattered glass panel, behind which a guitar is partially visible, juxtaposed with a red area rug in the foreground. The rug, rendered in a loose cross-hatch of blue and red, adds texture and depth to the image. The work's use of vibrant colours and fragmented imagery reflects Hockney's engagement with Cubist principles, particularly those of Pablo Picasso. This approach challenges traditional perspective, encouraging viewers to reconsider their perception of space and form. The intricate details and layered composition reward prolonged examination, revealing additional elements upon each viewing.
The aquatint technique, which involves using acid to etch a copper plate covered with powdered resin, allows for subtle tonal variations that enhance the work's visual impact. This method, combined with Hockney's artistic vision, results in a print that effectively communicates his ideas about perception and representation.
On It May Stay His Eye demonstrates Hockney's engagement with art history and literature. The series title, The Blue Guitar, references Wallace Stevens' poem, which itself was inspired by Picasso. This multi-layered inspiration positions the work at the intersection of visual art and literary tradition. The print's exploration of fragmented imagery and perspective aligns with Hockney's broader investigations into the nature of vision and representation, themes that have characterised much of his work throughout his career.
