£2,100-£3,050 VALUE (EST.)
$3,850-$5,500 VALUE (EST.)
$3,550-$5,000 VALUE (EST.)
¥18,000-¥26,000 VALUE (EST.)
€2,400-€3,450 VALUE (EST.)
$20,000-$29,000 VALUE (EST.)
¥340,000-¥490,000 VALUE (EST.)
$2,550-$3,750 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
Intaglio, 1971
Signed Print Edition of 100
H 20cm x W 14cm
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Jasper Tordoff, Acquisition Coordinator
Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
September 2020 | Phillips London - United Kingdom | Landschaft I - Signed Print | |||
June 2015 | Van Ham Fine Art Auctions - Germany | Landschaft I - Signed Print | |||
December 2014 | Karl & Faber - Germany | Landschaft I - Signed Print | |||
December 2014 | Christie's London - United Kingdom | Landschaft I - Signed Print | |||
February 2007 | Christie's New York - United States | Landschaft I - Signed Print | |||
March 2004 | Lempertz, Cologne - Germany | Landschaft I - Signed Print |
Landschaft I is a signed intaglio print by internationally acclaimed German painter Gerhard Richter. An example of the artist’s foray into the landscape genre, Landschaft I captures the diverse and constantly evolving nature of Richter’s oeuvre.
Rendered in white, blue, and yellow, the landscape confronts the viewer with a vision of peaceful fields and hills, juxtaposed with the image of a bright sky. The serene landscape contrasts starkly with Richter’s monochrome paintings of the same period. The artwork captures how the experimentation with colours and mediums allows the artist to embrace a lively and buoyant visual language. The artist commented in the context of his practice: “‘I do not pursue any particular intentions, system, or direction. I do not have a programme, a style, a course to follow. I have brought not being interested in specialist problems, working themes, in variations towards mystery. I shy away from all restrictions, I do not know what I want, I am inconsistent, indifferent, passive; I like things that are indeterminate and boundless, and I like persistent uncertainty”.