Venetian School II
Venetian School II
Signed Print
Roy Lichtenstein
£5,000-£7,500 VALUE (EST.)
$9,500-$14,500 VALUE (EST.)
$8,500-$12,500 VALUE (EST.)
¥45,000-¥70,000 VALUE (EST.)
€5,500-€8,500 VALUE (EST.)
$50,000-$70,000 VALUE (EST.)
¥910,000-¥1,360,000 VALUE (EST.)
$6,000-$9,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Planographic print, 1996
Signed Print Edition of 50
H 105cm x W 68cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2019 | Phillips New York - United States | Venetian School II - Signed Print | |||
| November 2007 | Sotheby's New York - United States | Venetian School II - Signed Print | |||
| March 2007 | Phillips New York - United States | Venetian School II - Signed Print |
Meaning & Analysis
As one of the leading figures of the Pop movement, Roy Lichtenstein was notorious for turning ordinary comic strip panels into wry, monumental pieces of art. This was his way of elevating commercial modes of expression into the realms of fine art. Referring to his work as ‘industrial painting’, he rooted his projects in appropriated and refashioned genres and images.
Lichtenstein’s Venetian School II of 1996 belongs to a portfolio featuring unforeseen and humorous cartoon variations on venetian blinds. The print transforms a historical movement, namely the Florentine Renaissance, into a static comic depicting an everyday object. Echoing the artist’s infamously reticent sentiments, the striking white blinds are here lowered nearly all the way down to the window sill. Lichtenstein allows the beholder to glance a streak of blue dots at the bottom, hinting at a concealed and unknown scene beyond the shutters.
In line with the mint green composition of Venetian School I of the same portfolio, Lichtenstein aims for subtlety in this work. The print presents a compilation of machine-made forms, exhibited according to the formal conventions of fine art. Due to its mechanical look, Venetian School II also functions as a critical commentary on modern industrial society and contemporary culture.
