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White
Icons

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Angel (white) - Signed Print by Keith Haring 1990 - MyArtBroker
Angel (white) Signed Print 
Keith Haring

£5,000-£20,000 VALUE (EST.)

AUD9,000-AUD35,000 VALUE (EST.)

CAD8,000-CAD30,000 VALUE (EST.)

CNY40,000-CNY170,000 VALUE (EST.)

6,000-25,000 VALUE (EST.)

HKD45,000-HKD190,000 VALUE (EST.)

¥830,000-¥3,320,000 VALUE (EST.)

$6,000-$25,000 VALUE (EST.)

Flying Devil (white) - Signed Print by Keith Haring 1990 - MyArtBroker
Flying Devil (white) Signed Print 
Keith Haring

£5,000-£8,000 VALUE (EST.)

AUD9,000-AUD15,000 VALUE (EST.)

CAD8,000-CAD15,000 VALUE (EST.)

CNY40,000-CNY70,000 VALUE (EST.)

6,000-9,000 VALUE (EST.)

HKD45,000-HKD70,000 VALUE (EST.)

¥830,000-¥1,330,000 VALUE (EST.)

$6,000-$10,000 VALUE (EST.)

Radiant Baby (white) - Signed Print by Keith Haring 1990 - MyArtBroker
Radiant Baby (white) Signed Print 
Keith Haring

£5,000-£6,000 VALUE (EST.)

AUD9,000-AUD10,000 VALUE (EST.)

CAD8,000-CAD10,000 VALUE (EST.)

CNY40,000-CNY50,000 VALUE (EST.)

6,000-7,000 VALUE (EST.)

HKD45,000-HKD60,000 VALUE (EST.)

¥830,000-¥1,000,000 VALUE (EST.)

$6,000-$7,000 VALUE (EST.)

Three Eyed Monster (white) - Signed Print by Keith Haring 1990 - MyArtBroker
Three Eyed Monster (white) Signed Print 
Keith Haring

£4,000-£6,000 VALUE (EST.)

AUD7,000-AUD10,000 VALUE (EST.)

CAD6,000-CAD10,000 VALUE (EST.)

CNY35,000-CNY50,000 VALUE (EST.)

5,000-7,000 VALUE (EST.)

HKD35,000-HKD60,000 VALUE (EST.)

¥660,000-¥1,000,000 VALUE (EST.)

$5,000-$7,000 VALUE (EST.)

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Meaning & Analysis

White Icons is a set of five prints from 1990 each showing a single one of Haring’s famous symbols, rendered as an embossing on plain white paper. Exactly mimicking the artist’s Icons series but without colour, these images represent some of Haring’s most recognisable motifs of his career showing the radiant baby, angel, flying devil, three-eyed monster and barking dog.

Much like fellow graffiti artist Jean-Michel Basquiat, Haring reuses particular symbols, all present in the Icons series, to produce a memorable pictorial language. Haring produces a set of recognisable positive symbols and clear-cut narrative views in his use of simplified form and repetition of images from previous works. The symbols used in White Icons first appeared in Haring’s New York subway drawings from the beginning of his career, notably the radiant baby ‘tag’ that the artist used in place of his signature on public art projects. Uncompromising in its positive tone, Haring’s syntax of signs in this series creates a universal language to be seen and understood by the masses of New York, thus producing a true public art charged with meaning.

Rendered in his characteristic pop-graffiti style, these figures are formed from bold embossed contours with thick, rounded lines radiating from the figures to provide a sense of excitement and movement. Whilst Haring’s Icons series is rendered in flat, saturated colours as a nod to the rise of commercialism and mass production in the artist’s lifetime, White Icons has been stripped of the eye-catching colours of the original prints. The way in which Haring has depicted these icons without their original saturated colours works to simplify the images down even further and create a more subtle tone to the works.

10 Facts About Keith Haring's White Icons

Barking Dog (white) by Keith Haring

Barking Dog (white) © Keith Haring 1990

1. The series is characterised by minimalism and the use of simplified forms.

Recognizable and immediately arresting, a series of simplified and pure forms comes to the fore in the White Icons series. A deceptively simple visual language reminds us of Haring’s belief that, in order to create dialogue between people and bring them closer together, art needs to be direct and accessible.

Barking Dog by Keith Haring

Barking Dog © Keith Haring 1990

2. The portfolio draws upon Haring’s Icons series.

In 1990, Haring released a series of five embossings characterised by the focus on symbolism and the use of bold colours. The White Icons echo the previous series as each print displays only one symbol without employing any colours.

Flying Devil (white) by Keith Haring

Flying Devil (white) © Keith Haring 1990

3. White Icons are rooted in contrasts between light and darkness that surround life and death.

Reappropriating redemptive imagery and rejecting colours, White Icons are suffused with contrast between life and death, light and darkness, religion and sexuality. The purity of the image and powerful symbolism correspond strongly with Haring’s experience of the HIV/AIDS epidemic in the 1980s.

Radiant Baby by Keith Haring

Radiant Baby © Keith Haring 1990