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Photographs

David Hockney is eternally fascinated with perspective and the camera obscura. Though he snubbed photography at first, he returned later to explore its fresh ways of seeing. This is reflective of the experimentality of Hockney’s broader printmaking career, and his willingness to embrace new techniques in pursuit of his thematic interests.

David Hockney Photographs For sale

Photographs Value (5 Years)

With £10515 in the past 12 months, David Hockney's Photographs series is one of the most actively traded in the market. Prices have varied significantly – from £361 to £19802 – driven by fluctuations in factors like condition, provenance, and market timing. Over the past 12 months, the average selling price was £3505, with an average annual growth rate of 1.83% across the series.

Photographs Market value

Annual Sales

Auction Results

ArtworkAuction
Date
Auction
House
Return to
Seller
Hammer
Price
Buyer
Paid
16 Nov 2024
Nosbüsch & Stucke
£2,848
£3,350
£4,200
28 Jan 2024
SBI Art Auction
£1,403
£1,650
£1,950
11 Dec 2023
Bonhams Online
£3,103
£3,650
£4,700
27 Sept 2023
Christie's London
£5,100
£6,000
£8,000
15 Feb 2023
Phillips New York
£9,775
£11,500
£16,000
30 Nov 2022
Germann Auctions
£7,650
£9,000
£11,000
16 Nov 2022
Sotheby's Paris
£3,485
£4,100
£5,500
16 Nov 2022
Sotheby's Paris
£3,485
£4,100
£5,500

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Meaning & Analysis

Although more well-known for his photo-collages, Hockney’s Photographs series offer an intimate glimpse into his personal life, friends and trips.

Many of these were taken as records of trips, such as Sian 15-23, which shows two figures walking on a path by a shrine, as seen from behind a bamboo blind. Wuxi 35-9, Wuxi 45-7 and Wuxi 40-12, also dating to 1981, appear to have been taken on the same trip to China and we can see him picking out important details such as chairs, tables, ashtrays and plants that feature heavily in his prints and paintings.

Perhaps Hockney’s most famous photographic series, however, is Twenty Photographic Pictures which is mostly made up of sun bleached images of California, including three shots of a swimming pool, with a few notable exceptions. A portrait of the artist’s parents standing on their doorstep in Bradford offers a sharp contrast to the pastel tones of LA, Malibu and Santa Monica, while a perfectly composed image of the Luxembourg Gardens in Paris feels like a nod to Seurat and a reminder of how Hockney used his camera to test compositions for paintings and prints. The interior shots in the series showcase his ongoing fascination with the male nude while a picture of a desk set up with a still life of a lemon and the drawing of it beneath, or a photograph of a painting in his studio, gives us an insight into his practice.

Elsewhere Hockney uses photography to capture his beloved dachshunds, whom he painted and reproduced in print many times over the course of his career, providing an alternative to working from life with difficult models.