Invasion Kit, Red
Invasion Kit, Red
Signed Print
Invader
Price data unavailable
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 50
Year: 2009
Size: H 30cm x W 42cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2021 | Sotheby's Online - United Kingdom | Invasion Kit, Red - Signed Print | |||
| September 2020 | Christie's London - United Kingdom | Invasion Kit, Red - Signed Print | |||
| October 2019 | Tate Ward Auctions - United Kingdom | Invasion Kit, Red - Signed Print | |||
| March 2018 | Chiswick Auctions - United Kingdom | Invasion Kit, Red - Signed Print |
Meaning & Analysis
This signed print from 2009 is a limited edition of 50 from Invader’s Invasion Kits series. The rectangular print portrays over a hundred small mosaic tiles and depicts one of Invader’s iconic Space Invader, the Japanese video game characters which Invader has been disseminating across the globe in his Invasion Waves. Against a bright red background, the white Space Invader almost entirely occupies the composition, addressing the spectator with his pitch-black eyes.
At once one of Invader’s most simple and yet instantly recognisable pieces, this print is telling in its apparent simplicity. As its title suggests, despite being a print, the artwork is meant to reference the mosaic Invasion Kit series and to artworks like Invasion Kit 13, Made in Japan, or Invasion Kit 16, Flashinvader where similarly Invader depicts a Space Invader against an apparently simple background, making use of a palette of two or three primary colours juxtaposed next to one another. In this case, the artist uses a bright red tone for the background, hence the title of the piece, to evidence the stark contrast with the white Space Invader.
Thus, the print situates itself within a larger production of Invader, and pays homage to his Invasion Kits. At the same time, given its medium, the piece also references Invader’s earliest engagements with print as a medium apt to better democratise and disseminate the private ownership and possession of his artworks. Coalescing Invader’s interest in prints and his mosaic-based pieces, this piece is a rare and unique find, able to captivate any Invader collector.
