ROY LICHTENSTEIN, HEAD WITH BRAIDS, ETCHING AND AQUATINT AND ENGRAVING IN COLOURS, EDITION OF 32, 1980
Roy Lichtenstein first contemplated Native American heritage and culture in his American Indian Encounters of the 1950s. The artist’s revision of the topic from the 1980s, titled American Indian series, features simplified pop versions of indigenous motifs and objects.
Executed during his second period of engagement with the topic, Head With Braids from 1980 ponders the representation of one specific Native American artefact. The print depicts a section of a carved faux-wood surface, evoking the shape and appearance of the belly of a totem pole. Dark pigments are used to indicate the depth of the carvings where the tiny square eyes and the downturned mouth sit.
In line with Lichtenstein’s American Indian Theme VI of the same series, the figure is fixed on a white background. The ragged wood is punctured and intertwined by yellow braids poking through it. The rope and the ragged detail in particular are both recurring elements featured in Lichtenstein’s American Indian series.
As opposed to the gouged wooden indentations used in other editions of the series, the particular relief process applied here is intaglio. The technique produces defined but scarce areas of shading. Aquatint was applied in conjunction with the etching, producing areas of tone and texture rather than definite outlines.
Read more about American Indian series by Roy Lichtenstein.
ABOUT ROY LICHTENSTEIN
Born in Manhattan in 1923, Roy Lichtenstein was a leading figure in the Pop Art movement during the second half of the 20th century. His distinctive artistic style is inspired by the visual language of consumerism and advertising that pervaded American popular culture at the time, and his work recalls a society of widespread commercialism that has remained powerfully relevant to this day. Learn more about Roy Lichtenstein.
